As an internationally experienced ballerina and ballet master, I have earned valuable interdisciplinary theatre based experience over the past 30 years. I have had the opportunity to perform in classical, neo-classical, and contemporary productions as a principle and chorus dancer produced by prominent choreographers such as Maurice Bejàrt. The invaluable experience gained through my professional dance carrier influenced my continued interest in an embodied practice research to create collaborations that cross disciplines and cultural boundaries in professional and academics, traditional and non-traditional settings. My research work identifies critical aspects of performative work in one of the most famous choreography within our dance history, “”Le Sacre du Printemps”” through an Astro- Mythology viewpoint.

Scolary / Creative Work:
Invited to be an International Speaker for Vaslav Nijinsky’s Le Sacre du Printemps Anniversary – Hungarian Academy of Arts, Institute of Art Theory and Methodology, Budapest, HU November 2020; Combining Alternative Elements to Increase the Functioning and Capacity of the Body – Natural Awakening Magazine, April Press 2011; Artist in Residence – Aborigine Cultural Dance Studies – Bathurst Island, Arnhem Land, Australia, NT 2017; The Revolutionary Road of Hungarian Ballet between the First and Second World War Through Social and Cultural Challenges – Press of Hungarian Dance Academy, 2004

Upcoming event: “”Movement and Metaphor “” a Fiber Art Exhibition discussing “”How Nijinsky’s Figurative Stillness Can Be Translated Within The Viewer Encounter Through Ancient Materials”” at Walter Anderson Museum of Art, 2021 Ocean Spring, MS